Thursday, December 14, 2017

Kendirvi - Ici à minuit (France/Bretagne 2004) @320

KENDIRVI’s music is above all a fest-noz music which draws its rhythms from the Breton lore to make the crowd dance. But from eastern Europe up to Quebec, through the Middle-East and Argentina, KENDIRVI displays sounds gathered from miscellaneous musical travels. The colours appear and mix here and there according to the sounds collected along the way. Now it’s up to you and your curiosity to find them out and bring them together, as you like it…
On a rough ground, under a big marquee or on an old wooden floor, it makes no odd, your legs cross but your heart and soul go a-roving !

Ici à minuit
After five years on the run, the seven rascals of KENDIRVI have finally accepted to stop over under the garret of a makeshift studio and leave a mark of their untamed music. Locked up in this entrenched place, these funny dealers have bribed a technician who’s no less roguish as they are, and yet who’s been more than once on the verge of cursing the day he was born!! With the utmost patience and moderation, together they have fashioned an original album with a craft sound, which sticks to them and reveals the furtive and spontaneous feature of this adventure.

Yet don’t fancy they have done this to try and make amends for their dirty tricks! Besides, they’ve hit the road again, protesting as loudly as they could against the friendly but cunning pressure of their loyal partners on the dance floor, and swearing the devil they won’t be caught again for quite a while !

Tracklist:
1. Magic Circus Gavotte - Ton simple 03:59
2. Magic Circus Gavotte - Bal 02:34
3. Magic Circus Gavotte - Ton double 04:24
4. Dans les caves de Prekodolce (kas a-barzh) 06:17
5. La moustache de Poulouche (valse) 04:04
6. Clin d'oeil aux cousins (scottish) 05:32
7. Interlude de l'auguste 00:19
8. Les Noces d'hier au soir (ronds de St Vincent) 11:24

Sylvain LEBORGNE : percussions
Romaric BOUGÉ : trompette
Vincent VALO : cellobasse, pieds
Jean-Marie LEBORGNE : guitare
Jérôme LEBORGNE : accordéon
Marie PICAUT : violon
Kevin COLAS : bombarde, clarinette
Invités :
Loïc VALO : mandoline
Matthieu RIOPEL : saxophone
Christian SEGOUIN, Gaël TRÉGOUET, Jean-Bernard PERRIN, Antoine FLOCH, Vincent ROULLIER : chœurs

Cecilia - Blauw Gras (Belgium 2014) @320


“…acoustic folk from Belgium deeply rooted in the traditions of the lowlands and France. The band plays professionally and understands how to arrange the songs in such a way that they are both enjoyable for dancers and for people who just want to listen…”
Eelco Schilder - Folkworld (UK)

“…The way they work together, making it seem utterly natural, marks them as one of the more outstanding new groups to come along…”
Chris Nickson - Sing Out! (USA)

Tracklist:
1. Bramen Plukken / Confituur            3:37
2. Le point du jour                      3:25
3. Het Mezennest / De Vuurkorf van Rudy  3:53
4. Bloesem                               4:30
5. Blauw Gras                            3:44
6. The Horse                             4:24
7. Brassless                             5:49
8. Padre Humberto                        4:02
9. La grive / Le mariage                 3:17
10. Amélie                               3:14
11. Ragapolka                            7:08

Jan Leeflang: Cornemuse du Centre, flûte-à-bec et whistle
Greet Wuyts: Accordéon diatonique
Thomas Hoste: Vielle à roue électroacoustique (alto & soprano)
guest:
AURELIEN (Shruti-Box, Sitar, Tanpura, Tabla)

Hoven Droven - Rost (2011 Sweden) @320

Tracklist:
1. Slyng
2. Käft´n
3. Gubarnas Schottis
4. Mörsil
5. Dang!
6. Fridas
7. Humbugg
8. Rost
9. Oliver´s Fiddle
10. Sista dagen
11. Snodden
12. Sista valsen

Kjell-Erik Eriksson: fiddle
Jens Comén: saxophone
Bo Lindberg: guitars
Björn Höglund: drums & percussion
Pedro Blom: bass

Wednesday, December 13, 2017

Vasmalom - Vasmalom I (1989 HUNGARY) @320


This, their first album, is apparently the first Hungarian release independent of the state record label, though made on Hungaroton’s presses. It’s full of beautiful tunes, wild and innovative instrumental textures of fiddle, double bass, bagpipe, darabuka, and, most notably, big flutes working in third and higher registers, where shrieking, slithering harmonics get so close together that whole tunes can be played up there without much need for finger-holes. The singing of Eva Molnar, though different in approach, has to it the same aura of authoritative calm which Marta Sebestyen projects, a sort of sphere of silence around the voice.
Folk Roots

01 - Aj Istenem Adj Erot A Lovamnak
02 - Hej Tok Lanyok
03 - Rab Vagyok
04 - Kecsketanc
05 - Bubanat, Bubanat
06 - Tiii-Dli-Dli-Dli Dli-Dli-Dli-Dlii
07 - Gyere Velem Katonanak
08 - Hol Jartal Barjankam
09 - Jar A Kislany
10 - Ludasim, Pajtasim!

Reõthy, Gábor (founder): mandocello, darbuka, tapan, tilinkó, hurdy-gurdy, vocal.
Papp, Ágnes: vocal.
Balogh, Kálmán: cimbalom.
Szokolai Dongó, Balázs: bagpipes, flutes, soprano sax, mongolian style singing, mouthharp. 
Nyiri, László: violin, trumpet violin.
Csuhaj Barna, Tibor: doublebass.

Basco - The Remarkable Return of Old Man Basco (Denmark 2013) @320

Big Basco continue the melting pot of wood and brass, with tasty and powerful music well suited to any audience. Now they have invited more great musicians in the melting pot, the Danish/Norwegian singer Julie Hjetland and the Canadian/Quebecian feet & fiddle player David Boulanger. Basco's material is nearly all original, stealing shamelessly and frivolously from Scandinavian, English, Irish, Scottish and North American idioms to create a kind of organic, musical, soupy stew - full of vitamins and anti-oxidants. For Basco, the tune is the thing, and all else must spring from it. "It's gotta swing!

Tracklist:
1.March of the Frogs
2.Batshit Polka
3.Liden Karen (Little karen)
4. Red Wooden Gate
5.Tune for Fiona
6. Bison grass and Rye / Naughty Boys
7.Two Sisters
8.80's Waltz
9.The Tribulations of the Svendborg Stadtmusicus and his Most Respectable Household
10. Hog Eye Man
11.Walking Tune / Basco Man is Outta Here

BASCO:
Ale Carr: cittern, body percussion, vocal/"brummer" and bones
Hal Parfit Murray: vocal, violin, mandolin
Andreas Tophøj: violin, viola, vocals.
Anders Ringgaard: accordion, trombone.

Guests:
Mads LaCour: flugelhorn.
Ulrik Kofoed: valdhorn.
Jonatan Ahlbom: tuba
Jullie Hjetland: vocal
David Boulanger: violin, vocals and feet
Steffan Sørensen: double bass

Basco - Big Basco (Denmark 2011) @320

Tracklist:
1. Carsten the Fox (Sigurd Hockings)
2. Jacky Tar (Trad)
3. Soon (Hal Parfitt-Murray)
4. Hathaway's Cavalier (Hal Parfitt-Murray)
5. Storebror & Lillebror (Trad)
6. Tea in the Garden (Hal Parfitt-Murray)
7. The Ballad of Andreas and the Rat-Half-Greaser (Hal Parfitt-Murray)
8. Hymn (Anders Rniggaard)
9. The Ferryman (Hal Parfitt-Murray)
10. Moleskin Waltz (Hal Parfitt-Murray)
11. The Elephant (Anders Rniggaard)
12. Big Basco (Hal Parfitt-Murray)
13. Lova Lova (Trad)

Basco:
Hal Parfitt Murray (DK/SCO): lead vocals, violin, viola, foot tapping, cello
Andreas Tophøj (DK): violin, viola, backing vocals
Ale Carr (SE): cittern. Backing vocals, whistling
Anders Ringgaard (DK): Accordion, trombone

And Big Basco
Mads La Cour: Flugelhorn
Ulrik Kofoed: French Horn
Jonatan Ahlbom: Helicon

Basco - The Crow in the Walnut Tree (Denmark 2008) @320

In 2004, ten years ago, almost to the day at the time of writing this, four sweet young lads who should have been training to be bankers or insurance salesmen performed a couple of tunes written by one of the fiddlers at one of the Danish Tønder Festival’s large tent stages. Little did they suspect that a decade later, with many breaks as members completed their studies in far away lands, had vast numbers of children, left the band to renovate houses or just generally laughed, lived and loved, that they would still be touring, writing music together and as a rule, enjoying one another’s company.

Basco has evolved over 10 years, three albums and one change in line-up from a bunch of kids playing some tunes and having a blast, to a group of young men, husbands and fathers, arranging, writing, orchestrating and touring together, and having a blast. They continue to find new ideas to play with, new and interesting artists to collaborate with, and new sparks of genius and streaks of idiocy in each other. It is this playful abandon which drives them, and long may it continue.

Tracklist:
1.Coals to Newcastle
2.Crow in the Walnut Tree/ New pair of Boots
3.The Cats Menuet
4.Princess of Scandinavia
5.Trombone Scottish
6.Kamerika
7.Flensborg Harbour
8.Postcard
9.Hadrian's Waltz
10.Magpie Jig/The Camel Polka
11.Blackberry Blossom
12.The Mermaid

Sigurd Hockings - guitar
Hal Parfitt-Murray - fiddle
Anders Ringgaard - box and trombone
Andreas Tophøj - fiddle

Monday, December 11, 2017

Vasmalom - Vasmalom II (1992 HUNGARY) @320


MAGNIFICENT! A real scorcher of an album! There are insufficient superlatives in the language to adequately describe this heady brew. Friends who visited Budapest brought back Vasmalom’s impressive first album; a few and line-up changes later, they’ve matured so much that they now occupy a well-deserved place in Europe’s premier division. It may seem invidious to single out individuals; all six are outstanding musicians. But special mention must be made of Kalman Balogh, whose scintillating cimbalom has to be heard to believed, and of Balazs Szokolay, for brilliant contributions on flutes, bagpipes, soprano sax - used to such blistering effect on Kerekes (Ring Dance) - and harmonica, when the whole band has enormous fun with Negy Tetel (Four Movements). Then there’s his vocal duet with Eva Molnar on which he uses a truly astonishing Mongolian harmonic overtone style. How does he do it. 
Gabor Reothy’s nifty mandocello and percussion, and Tibor Csuhaj Barna’s bass provide solid rhythmic underpinning, while Andras Doczy adds typically fiery fiddle. Most pieces included are original compositions and are firmly rooted in the Hungarian tradition; energetic dance tunes with unquantifiable time signatures and delicate, often rather mournful, songs. 
Vasmalom delayed their departure from Hungary, for a while, until the tape was ready. Next time they tour, they’ll have the CD and vinyl versions - and they will surely sell like proverbial hot cakes.
Keith Hudson

01 - Dudanóta (Bagpipe Song)
02 - Gergelem (Gergel Dance)
03 - Szerelem (Love)
04 - Kerekes (Ring Dance) - Péter Kertje (Peter's Garden)
05 - Járd Ki Lábam (Come On Feet, Dance)
06 - Testvér (Brother)
07 - Napra Csillag (Stars Follow The Sun)
08 - Add Fel Isten Azt A Napot (God Makes The Sun Rise)
09 - Bolgár Cigány Horo (Bulgarian Gypsy Horo)
10 - Keresztutak (Crossroads)

Reõthy, Gábor (founder): mandocello, darbuka, tapan, tilinkó, hurdy-gurdy, vocal.
Papp, Ágnes: vocal.
Balogh, Kálmán: cimbalom.
Szokolai Dongó, Balázs: bagpipes, flutes, soprano sax, mongolian style singing, mouthharp. 
Nyiri, László: violin, trumpet violin.
Csuhaj Barna, Tibor: doublebass.

Vasmalom - Vasmalom III (1996 HUNGARY) @320


...Hungary’s Vasmalom were equally fabulous. They play Eastern European songs on so many old instruments as well as viola, fiddle, acoustic bass and the cymbalon (something like a small grand piano with the top and sides off struck with two hammer sticks.) Striking voices. In their own compositions they incorporate even more unusual instruments, one looked like a metal stand with blow holes drilled in various places. Certainly one of the discoveries of the weekend.
/W.O.M.A.D. Carlyon Bay, Cornwall

01 - Dudanóta II. - Bagpipe Song II
02 - Veres az ég... - The Sun Sets Red...
03 - Erdélyies - In Transilvanian Style
04 - Párját vesztett... - Lonely Bird
05 - Gergelytánc - Gregory Dance
06 - Porondos Víz - On The Bank Of A Sandy River
07 - A cimbalmos moldvai - The One From Moldva With The Cimbalom
08 - Szerelem II. - Love II.
09 - Viharsarokk - Viharsarock

Reőthy, Gábor (founder): mandocello, darbuka, tapan, tilinkó, hurdy-gurdy, vocal.
Papp, Ágnes: vocal.
Balogh, Kálmán: cimbalom.
Szokolai Dongó, Balázs: bagpipes, flutes, soprano sax, mongolian style singing, mouthharp. 
Nyiri, László: violin, trumpet violin.
Csuhaj Barna, Tibor: doublebass.


Monday, December 4, 2017

Deirdre - Deirdre [1977 Netherlands] @320


Deirdre was a Dutch folkband from the 70s, they had 1 hit single over here in Holland with "Daughter Of Peggy-O".
Their music sounds simular to Steeleye Span sometimes. This album is their only release. 
Great album!!


01. Daughter Of Peggy-O
02. Lovely Joan
03. Cup Of Tea
04. Tell Me What You See In Me
05. Young Waters
06. 't Visserke
07. Nine Points Of Roguery
08. 't Koopmanszoontje
09. Gravel Walk
10. Call The Yowes

Jopie Jonkers: Acoustic Guitar, Tambourine
Pieter Thijssen: Cittern (tracks: 1,5) 
Mik Boes: Drums, Percussion
Jos van Workum: Electric Bass [Fender]
Ad van Meurs: Electric Piano [Fender Rhodes], Piano [Acoustic]
Geert Hoes: Fiddle, Concertina, Whistle [Tin]  
Hanneke Luxemburg: Vocals (tracks: 2,5)
Jopie Jonkers: Vocals (tracks: 1,4,6,8,10) 

Saturday, December 2, 2017

Gwendal - Rainy Day (A Vos Desirs) (France 1976) @320


1. Rainy Day
2. Cam'ye Ower Frae France
3. The Walls Of Liscarroll
4. Butterfly
5. Mon Joly Scooter:
a. Intro
b. Promenade
c. Welcher Tanz Wascha Mesa
d. The Pleasures Of Home
e. High Could Cat
f. Mille Lards Et Six Soles D'eaux
g. Bop Celtique

Bass, Electric Guitar – Roger Schaub
Drums – Arnaud Rogers
Flute [Flautas], Saxophone, Bombarde – Youenn Leberre
Guitar – Jean-Marie Renard
Guitar, Mandolin – Ricky Caust
Violin – Bruno Barré

Dan Ar Bras - Douar Nevez [1977 France] @320


Douar Nevez is a folk rock album by Dan Ar Bras. It was originally released as an LP in 1977 by Hexagone (WEA France), catalogue number 883 009. The album was produced by Hugues De Courson.
This was Ar Bras' first recording after his touring stint with Fairport Convention. He was assisted on bass by Fairport's Dave Pegg.

01. Intro
02. Retour De Guerre
03. Naissance De Dahud
04. Mort Et Immersion De Malguen / Fin Du Voyage
05. Naissance De La Ville
06. Morvac'h (Cheval de La Mer)
07. vOrgies Nocturnes
08. L'Ennui Du Roi
09. Les Forces Du Mal
10. L'Appel Du Sage
11. Submersion De La Ville
12. Douar Nevez (Terre Nouvelle)


Dan Ar Bras - electric and acoustic guitars
Patric Molard - flute, bagpipes
Benoît Widemann - keyboards
Dave Pegg - bass
Michel Santangeli - drums
Marc Chantereau - percussion

Tuesday, November 28, 2017

Té - Flamingo's Gambit (Netherlands 2012) @320

Inspired by Lewis Carrol’s ‘Alice in Wonderland’, the Dutch collective Té creates its own musical wonderland. Energetic jigs, lazy waltzes, blazin’ scottishes and mad bourrées, virtuoso played by this tight group of friends. Like Carrol’s tale, the music is layered and colorful. Every melodic line is countered by surprising harmonies, dynamic changes and rhythmic variations. The musicians literally tease, chase and provocate one another and drag each other into wild musical landscapes from which their music can only escape one way: to the dancers.

All tunes are original and written to dance to. Influences from Balkan, Quebecois, French, Scandinavian and Turkish music are always under the surface and emerge in colorful eruptions of pure playing-pleasure.

Té is founded in may 2011 by Sander van der Schaaf (guitar, percussions), Niek van Uden (accordeon), Emilyn Stam (violin) en Conny Essbach (clarinet). Niek van Uden composes most of the tunes, the collective arranges and interpretes.

Tracklist:
01. Mad Hatter & Co
02. Bour wat zeg je van mijn reeën
03. Lullaby for a Cheshire Cat
04. De worp
05. Quanto costa?
06. Aldus sprak toen de goudvis
07. Luistervink
08. Steak Bourrée
09. Turkish Tea With a Twist
10. Theelief / Tea Leaf
11. Breiwerk
12. Walsjemenou?!

Niek van Uden: Accordeon
Conny Essbach: Clarinet
Emilyn Stam: Violin
Sander van der Schaaf: Guitar & percussions

Monday, November 27, 2017

Pekel - Oost West Thuis Best (Netherlands 2000) @192

Tracklist
1. Oost West, Thuis Best!     4:29
2. Horlepiep     3:11
3. Groenelands Straatjes     4:47
4. Westzuidwest Van Ameland     3:34
5. Brief Aan Isabel     3:49
6. Van Toeters En Van Belle!     3:32
7. De Zee     4:37
8. Kaap'ren Varen     3:00
9. Raasdonders Met Spek     3:57
10. De Garrenkwak     2:37
11. Je Went Zo Aan De Kade     6:36
12. Wilhelmus     1:52

Erno Korpershoek - Accordion, Keyboards, Vocals
Theo Schuurmans - Bagpipes, Tin Whistle, Low Whistle, Flute, Bodhrán, Drum, Harp, Jug, Jew's Harp, Uilleann Pipes, Vocals
Peter Moree - Guitar, Cittern, Charango, Bagpipes, Flute, Vocals
John Bazuijnen - Lead Vocals, Contrabass, Guitar, Tambourine, Bells, Cymbal
Kees Wagenaar - Lead Vocals, Hurdy Gurdy, Accordion, Triangle

Monday, November 20, 2017

Bukkene Bruse - Spel (2004 Norway) @320


Bukkene Bruse, alone and in creative interaction, creates new Norwegian folk music, yet traditional, with the album Spel. This likable traditional folk band comes up with a live recording of their most famous songs. All in new arrangements together with new material. The sound is good, and in addition the musicians are performing some solo tunes in a convincing manner. This time they also performe with the Norwegian string quartet Vertavo, that gives the album an extra energy.


01 - Folketone Fra Sunnmøre (4:19)
02 - En Enda Villere Vinter (4:10)
03 - Syng I Stille Morgonstunder (3:24)
04 - Trilogi ~ Bruremarsj Fra Østerdalen (3:05)
05 - Trilogi ~ Norafjølls (6:51)
06 - Trilogi ~ Stev (4:35)
07 - Trilogi ~ Fanitullen Goes To America (4:53)
08 - Solospel ~ Tannlausen / Vil Du Koma Til Rinden (3:44)
09 - Solospel ~ Nystev Og Gamlestev (3:06)
10 - Solospel ~ Bømarislåtten (3:53)
11 - Solospel ~ Ein Annan Halling (3:32)
12 - Solospel ~ St. Sunniva (3:33)
13 - Solospel ~ Haslebuskane (2:37)
14 - Solospel ~ Maria, Hun Er En Jomfru Reen (3:03)
15 - Solospel ~ Mit Hjerte Altid Vanker (6:26)

Arve Moen Bergset - vocals, violin & Hardingfele
Annbjørg Lien - Hardingfele & nyckelharpa
Steinar Ofsdal - flute
Bjørn Ole Rasch - pipe organ

Vertavo String Quartet:
Øyvor Volle - violin
Annabelle Meare - violin
Berit Cardas - viola
Bjørg Lewis - cello

Saturday, November 11, 2017

Thief On The Roof - Thief On The Roof (Estonia/Denmark 2017) [FREE GROUP PROMOTION]


Thief On the Roof is a new possibly up-and-coming fusion guitar duo exploring an eclectic variety of musical styles in their compositions.
Kirsi Tilk is an Estonian-born classically trained guitarist. Some years ago she turned her focus to folk/world and flamenco music as well.
Sune Pors grew up listening to rock, later discovered jazz and learned his trade playing in countless bands and sideman gigs.

Studying both at The Royal Academy of Music, Aarhus, Denmark, they became friends and combined their wide ranging knowledge in music to form a multi-faceted duo in the spring of 2015.


 While deeply rooted in their respective musical heritages Thief on the roof has developed a personal sound beyond strict borders and traditions. 
Their music is humorous but also 
profound and emotional, raw yet complex and colourful. A concert with this fresh duo can go in any number of directions.

Their repertoire has 
included twisted romantic guitar pieces, Malaysian folk tunes, improvised soundscapes and flamenco standards turned on their head. The duo is not only looking to open up musical borders but national and cultural boundaries as well, by playing international concerts and incorporating folk music from all over the world.

Contact by e-mail kirsitilk@gmail.com or number +45 91712088

Listen HERE (Spotify).

Contact HERE (eMail)

WEB Site + Videos HERE


Left Blank's Compil Folk 25


Saturday, November 4, 2017

Ottopasuuna - Suokaasua [1996 Finland] @320



01 - Sateen Jälkeen
02 - Susiraja
03 - Putkiponi Pauhaa
04 - Jäähyväismenuetti
05 - Hyljekoukku
06 - Pihkatappi
07 - Suokaasua
08 - Surupukuinen
09 - Ohimarssi
10 - Iiris Valssi
11 - Tanssijapoikia


Accordion [2-row], Harmonica, Marimba [Gogo Marimba], Accordion [5-row] – Kimmo Pohjonen
Bass Clarinet, Tin Whistle, Mandolin [Octave Mandolin] – Janne Lappalainen
Fiddle – Kari Reiman
Flute, Tin Whistle, Percussion – Kristiina Ilmonen
Mandolin, Mandola, Cittern, Guitar – Petri Hakala


Kornog - Kornog IV (1987 France) @320


Kornog's music is a fire of wood, four stools in front of the hearth of one of these cabarets
as one does not find in the Breton countryside. Kornog is also and above all: The nudity of 
the acoustic draped in the extreme sophistication of the arrangements, the voice of Jamie the Scotsman, the pride of a walking air come from the Vannes and the old age reinvented by the bouzouki, the wooden flute, the violin and the guitar, the proud suppleness of the Plinn ... 
A very dynamic combination of the violin and the flute, framed by an impressive harmonic and rhythmic interlacing "knitted" by the bouzouki and the guitar.


01 - Ma Wee Wee Croodin Doo  03:00
02 - Ridées à six temps  04:08
03 - Wae Be Tae the Orders  04:58
04 - Ton Bale / Laridé de Grand-Champ  03:54
05 - Air du Mené / Ronde de Loudéac  03:18
06 - Let He Who Likes Sing the Glories of War  02:21
07 - Ton Ar Marc'h Houarn Kaer / Dañs Plinn  04:14
08 - Kiowa Flag Song / Ronds de Loudéac  03:25
09 - Suite des Montagnes  03:55
10 - Dañs A Sailheu / En dro  04:20


Flute – Jean-Michel Veillon
Guitar – Gilles Le Bigot
Violin – Christian Lemaître
Vocals, Bouzouki – Jamie McMenemy

Friday, November 3, 2017

Ottopasuuna - Ottopasuuna [1993 Finland] @320


Local tunes mixed with Celtic and bluegrass phrasings trickle through the sensibilities of Helsinki's Sibelius Academy, where Ottopasuuna's members teach. 
Though violinist Kari Reiman also fiddles with Värttinä, these musicians aren't exactly wild, except in a reserved sub-Arctic kind of way. Accept them as classicists, however, and the disc burst open up into a charming world view that in a subdued fashion does for Finnish folk what the 3 Mustaphas 3 do for klezmer. 
The same care and cleverness that go into arrangements shines on the choice of material, which in true folklorist fashion was unearthed by bandmembers from such obscure sources as a 1914 wax cylinder recording, an acetate disc from the 1930s, and an old music book dating back to the early 1800s.
(Allmusic)

01 - Tsizikpolkka
02 - Kalmukkisottiisi
03 - Kolmospolska
04 - In dulci jubilo
05 - Hippavalta
06 - Kiisken polska
07 - Varpunen
08 - Tyyskä
09 - Polska
10 - Viialan vanhaa kansaa
11 - Honkolan mamman kirnumasurkka
12 - Oira
13 - Limperin polska
14 - Vibergin masurkka
15 - Sudenrita
16 - Lukkarin valssi
17 - Havulintu


Kari Reiman: Fiddle
Kurt Lindblad: Flute, Whistle, Bagpipes [Estonian], Clarinet
Petri Hakala: Mandocello, Mandolin [Octave], Mandolin, Guitar
Kimmo Pohjonen: Melodeon, Harmonica, Marimba

Thursday, November 2, 2017

Parasol - Brume (France 2007) @320


Gérard Godon (accordéon chromatique)
Eric Thézé (saxophone soprane, basse et viole de gambe)
Catherine Grimault (violon)
Corinne Renaud (voix)

Tracklist:
1.Brume (scottish impaire) instrumental
2.Damadienne (polka)
3.Contraste (valse)
4.D’arbre en arbre (mazurka)
5.Jardin des musiques (valse à 8 temps)
6.Ils ont simplement oublié (polska)
7.Viis (polka)
8.Carnaval (valse à 8 temps)
9.En écoutant Mozart (mazurka)
10.Brin d’herbe et Yiddish bourrée (bourrée 2 temps)
11.Cabane (scottish)
12.Ils se sont endormis (valse)
13.Brume (scottish impaire) chanté
14.Domadaire (chapelloise)
15.Charleston (scottish)

Tuesday, October 31, 2017

Arbadétorne - Adjuse (France 2005) @320


Thanks to Matty Groves!

 A beautiful invitation to the traditional dance music.
Far from any attachment to the past, Arbadétorne favors the dynamics of the game related to the tempo, dance, phrasing and relationships that may exist between the violins and the diatonic.
Two great voices and four instrumentalists in not singing and dancing voice.

(google-translate, sorry)

 Michaël Auger (Accordéons diatoniques, chant)
Maxime Chevrier (violon, chant)
Jean-François Rambaud (Guitare, percussions, chant)
Emmanuel Vrignaud (Chand lead, veuze, violon, alto, hautbois, clac-bois)

Tracklist:
01. Le petit bonhomme
02. Adjuse
03. Le petit Marcelot
04. Trop court faut l’allonger
05. Le flambeau d’amour
06. Mazurka à A. Chaillou
07. Mon père est au cabaret
08. Polka à P. Faucher
09. Toutes les filles des environs
10. Le grand vicaire de Challans
11. Scottish des frères Bregeon
12. La petite lingère
13. Soldat infortuné
14. Qui veut ouïr une chanson

Monday, October 23, 2017

The Iron Horse - The Wind Shall Blow Forever More (2004 Scotland) @320


After a long absence, this release marks the welcome return to silicon of one of the most exciting Scottish bands of the nineties. The Wind Shall Blow For Evermore is in many ways a return to the best of Iron Horse.
It's a return to the original line-up, with three of the founders: Gavin Marwick on fiddle, Annie Grace on whistles, and Ross Kennedy on vocals. The missing talents of Mr Rod Paul and Miss Lynn Morrison are substituted by latecomer Stevie Lawrence on stringy things and new boy Stuart Glasgow on keyboards, but fortunately neither of them has opted for long blonde hair.
It's a return to the roots of the band, to the mix of old and new material, which they brought so vividly to life a decade ago. The last two Iron Horse albums were teetering on the brink of the New Age Celtic abyss, but this one is back on traditional terra firma. Ross Kennedy brings old chestnuts like Duncan Gray and Twa Corbies to vivid life, and tells a very convincing tale of lost love with Helen of Kirkconnel. Gavin Marwick's tunes are as rich and rare as ever: The Clover Field vies with the slower, slightly Scandinavian Marstein for pride of place. Most importantly, it's a return to top form for Iron Horse. The opening track could come from either of the band's first two albums: full of fire, with an untamed beauty. MacLeod's O'Rafferty is a wonderful tune, which deserves to be up there alongside Paddy O'Rafferty whence it was derived. The slow air Cille Choirill is a masterpiece, mournful and enchanting, and the waltz that follows, is equally captivating. The set of reels starting with Da Grocer is another winner, combining dazzling technique with a deep passion for the music.
This album is much, much more than a harking back to former glory: there are plenty of pleasant surprises. Stevie plies the wheel of his hurdy-gurdy to great effect, turning Marstein into a spine-tingling triumph, and he also contributes a lovely jig in Cara's Bite. Eastern European influences are also a new departure: Charlie McKerron's Bulgarian Red continues its popular run, and it's joined by a couple of traditional tunes from similar vineyards. And there's more. So whether you're a long-time fan of Iron Horse, or just a lover of good music who hasn't been lucky enough to encounter them before, this CD is essential listening - and extremely enjoyable too.

Tracklist:
01. Jig - Givingamp / The Braes of Mayen / MacLeod's O'Rafferty
02. Medley - Marstein / In Watercolour / Templewod
03. Song - Duncan Gray
04. Medley - Da Grocer / The Bride's Reel / Birlin' in Brittany / The Cambridge Hornpipe
05. Song - The Twa Corbies
06. Medley - Cille Choirill / Jim's Prayer
07. Medley - Cara's Bite / Jump At the Sun / Jig of Life
08. Song - Helen of Kirkconnel
09. Medley - Amber & Steel / Brook's Bouree
10. Medley - I Love My Bouzouki / Hungarian Tune / Bulgarian Red
11. Song - The Handsome Cabin Boy
12. Medley - The Emigrant / The West End Reel / The Clover Field
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